The Lazy Confucius They Don't Want You to Know About! (JS)

Part of Analects 18.7   

The old man said, “A man whose limbs have never moved in labor, who can’t tell one grain from another – who is your master?” Then he planted his staff in the ground and began weeding.  

    

    Pairing and contrasting the role of a Junzi in government next to this idea of agricultural cultivation and working with one’s hands is of note. It seems even more poignant that Zilu is the one that delivers the function of the Junzi at the close of the passage. Similarly, I can’t help but wonder why this apparent insult to Confucius is included in the Analect. Are we supposed to ignore the words of the recluse and believe Zilu? Considering the light in which we have seen Zilu in the past, one would think not.   

    The recluses are not hermits. I believe they offer valuable insight on the Way and still exist as a part of the greater society. As seen in this Analect, the recluse is able to feed and shelter Zilu and presents his two sons to him. While not engaging in politic, the recluse seems to be embodying a filial Way. Zilu, unable to recognize the greatness of this man, can only see it when Confucius points it out. As Zilu failed to sniff out the recluse, are we to trust his final assessment of the matter?    

    Can this be seen as a parable symbolizing the necessity of the recluse for the Junzi? Surely Confucius would be downhearted if along his travels he never met with receptive ears. Further, is there truth in the words of the recluse in this passage criticizing the Master? Might we always need the judgement of virtuous others who are not worried about our own judgement upon them?   

Comments

  1. Good questions, but follow up on them. You're suggesting that the recluse is the Junzi's alter ego, his alternative way -- so that being a Junzi will always be a choice and commitment. I like the insight that "the recluse is not a hermit." The recluse has an immediate but smaller community, has an ethic of hospitality, and also carries in his head a cultural community.

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